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{{bild
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{{Bild
|titel = Weltenberg Meru mit Sonnenrabe und Mondhase
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|titel=Weltenberg Meru mit Sonnenrabe und Mondhase
|titel_j = <!-- ggf. Originaltitel jap. -->
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|titel_j=<!-- ggf. Originaltitel jap. -->
|titel_d= <!-- ggf. Originaltitel übersetzt-->  
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|titel_d=<!-- ggf. Originaltitel übersetzt-->
|detail=1 <!-- 0 oder 1 (= „Detail“) -->
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|detail=False
|genre= Seidentapesterie<!-- Schreinhalle Tempelhalle Blockdruck Hängerollbild Querbildrolle Statue Relief ... -->
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|genre=Mandala
|genre2= Mandala<!-- nishiki-e surimono shinzō ... (jap.)-->  
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|genre2=mandara<!-- nishiki-e surimono shinzō ... (jap.)-->
|material= farbige Seide<!-- , Papier, Holz, Metall, Stein, Bronze, bemalt, vergoldet, Farbe, Tusche ... -->  
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|material=Farbige Seide, Stoff<!-- , Papier, Holz, Metall, Stein, Bronze, bemalt, vergoldet, Farbe, Tusche ... -->
|maße= 83,8 x 83,8 cm  
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|maße=83,8 x 83,8 cm
|artist=
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|artist_dates=<!-- 1421–1482 -->
|artist_dates= <!-- 1421–1482 -->
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|jahr=14. Jh. (Yuan-Dynastie)
|periode= Yuan Dynastie<!-- Heian-Zeit Kamakura-Zeit Edo-Zeit -->  
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|serie=<!--''japanisch'' (Ü)-->
|jahr= 14. Jh.
+
|buch=<!--''japanisch'' (Ü)-->
|serie= <!--''japanisch'' (Ü)-->  
+
|serie_j=<!--1831–32-->
|buch= <!--''japanisch'' (Ü)-->  
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|ort=<!-- oder: im Besitz des ...--> China
|serie_j= <!--1831–32-->  
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|q_link=http://www.metmuseum.org/collections/search-the-collections/60006768
|ort= <!-- oder: im Besitz des ...--> China
 
|treasure=0 <!-- 0 oder 1 (= „Nationalschatz“) -->
 
|q_link= http://www.metmuseum.org/collections/search-the-collections/60006768
 
 
|q_text=Metropolitan Museum
 
|q_text=Metropolitan Museum
|quelle_b= <!-- Zusatztext zur Quelle-->  
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|quelle_b=<!-- Zusatztext zur Quelle-->
|quelle_d= 2011/12/12
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|quelle_d=2012/10/13
|collection=  
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|beschreibung = This elaborate tapestry-woven mandala, or cosmic diagram, illustrates Indian imagery introduced into China in conjunction with the advent of Esoteric Buddhism. At the center is the mythological Mount Meru, represented as an inverted pyramid topped by a lotus, a Buddhist symbol of purity. Traditional Chinese symbols for the sun (three-legged bird) and moon (rabbit) appear at the mountain’s base. The landscape vignettes at the cardinal directions represent the four continents of Indian mythology but follow the conventions of Chinese-style “blue-and-green” landscapes. The dense floral border derives from imagery of central Tibet, particularly from monasteries with ties to the court of the Yuan dynasty.
|This elaborate tapestry-woven mandala, or cosmic diagram, illustrates Indian imagery introduced into China in conjunction with the advent of Esoteric Buddhism. At the center is the mythological Mount Meru, represented as an inverted pyramid topped by a lotus, a Buddhist symbol of purity. Traditional Chinese symbols for the sun (three-legged bird) and moon (rabbit) appear at the mountain’s base. The landscape vignettes at the cardinal directions represent the four continents of Indian mythology but follow the conventions of Chinese-style “blue-and-green” landscapes. The dense floral border derives from imagery of central Tibet, particularly from monasteries with ties to the court of the Yuan dynasty.
 
 
}}
 
}}
 
 
<noinclude>[[Kategorie:Bild]]</noinclude>
 
<noinclude>[[Kategorie:Bild]]</noinclude>

Aktuelle Version vom 30. September 2014, 17:34 Uhr

Weltenberg Meru mit Sonnenrabe und Mondhase Mandala, mandara (Farbige Seide, Stoff). 14. Jh. (Yuan-Dynastie); China; 83,8 x 83,8 cm
Bild © Metropolitan Museum. (Letzter Zugriff: 2012/10/13)
This elaborate tapestry-woven mandala, or cosmic diagram, illustrates Indian imagery introduced into China in conjunction with the advent of Esoteric Buddhism. At the center is the mythological Mount Meru, represented as an inverted pyramid topped by a lotus, a Buddhist symbol of purity. Traditional Chinese symbols for the sun (three-legged bird) and moon (rabbit) appear at the mountain’s base. The landscape vignettes at the cardinal directions represent the four continents of Indian mythology but follow the conventions of Chinese-style “blue-and-green” landscapes. The dense floral border derives from imagery of central Tibet, particularly from monasteries with ties to the court of the Yuan dynasty.

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